Укиёэ: современные мотивы печати

A Japanese Edo-period Ukiyo-e woodblock print (浮世絵 木版画). The overall feeling is a surreal collaboration between masters like Hokusai and Hiroshige, reimagining modern technology through an ancient lens.\n\n**The Scene:** 繁忙的涩谷十字路口\n\n**Edo Transformation Logic:**\nCharacters wear Edo-era kimono but perform modern actions. All technology is transformed into surreal Edo equivalents:\n* **Smartphones** are glowing, illustrated paper scrolls being read intently.\n* **Metro stations/Trains** are giant articulated wooden centipede carriages shuffling through crowds.\n* **Skyscrapers** are reimagined as endless, towering wooden pagodas reaching into dramatic clouds.\n* **Robots/Mecha** appear as giant, armored woodblock golems.\n\nThe composition uses a flattened perspective with large, bold, hand-carved ink outlines (太い墨線). The background features heavily stylized Ukiyo-e wave patterns and dramatic, swirling clouds, with a distant Mt. Fuji visible on the horizon.\n\nThe image must look like a physical print, not a digital painting.\n* **Texture:** Strong visible wood grain texture (木目) and rough paper fibers throughout the piece.\n* **Printing Imperfections:** Pigment bleeding is evident. Crucially, simulate hand-pressed plates with slight **color misalignment (版ズレ)** for authenticity.\n* **Color Palette:** Strictly limited to traditional mineral pigments. Dominant use of Prussian blue (浮世絵ブルー), vermilion red, and muted yellow ochre.\n* **Lighting:** Soft, flat, shadow-free lighting with no digital gradients.\n\n* **Aspect Ratio:** 3:4 vertical poster.\n* **Extras:** Include vertical Japanese calligraphy describing the scene and a traditional red artist seal stamp (落款) in a corner.