Кинематографические близкие планы: новый китайский стиль осени

As a world-class fashion photographer (fusing the cinematic quality of Steven Meisel + the soft light aesthetic of Paolo Roversi + the emotional capture of Harley Weir), create a defining New Chinese aesthetic autumn art film for the [Female Character in Reference Image 1]. The focus of the film is on cinematic close-ups, texture details, and poetic narrative.\n\nCore Character Features (100% strict restoration of Reference Image 1):\nFace and Hairstyle:\n\nFace Shape: Soft oval face, delicate and three-dimensional East Asian features\nEyes: Deep brown eyes, double eyelids, calm and penetrating gaze\nNose Bridge: Straight and delicate, rounded nose tip\nLips: Moderately full, natural and soft lip color\nSkin Quality: Delicate and healthy East Asian skin tone, smooth skin\nHair: Black long straight hair (texture and color from Reference Image 1), smooth and shiny, naturally falling to the shoulders or chest\nHairstyle Treatment: Can be slightly adjusted to the loose braid style of Reference Image 2 (reddish-brown tone optional, or kept black), with some strands slightly blowing in the wind to increase dynamism\n\nTemperament and Expression:\n\nCore Temperament: Calm, elegant, reserved yet confident\nEyes: Can choose to look directly at the camera (showing strong communication) or gaze into the distance (creating a literary contemplative mood)\nFacial Expression: Calm and composed, with a hint of pensive literary atmosphere\nOverall Tone: The intellectual beauty and relaxed feeling of modern Oriental women\n\nScene Setting and Composition (referencing the New Chinese aesthetic autumn atmosphere of Reference Image 2):\nEnvironment and Background:\n\nCore Scene: Outdoor autumn scene + vintage wooden long chair + Chinese architectural elements\nForeground Elements:\n\nVintage wooden long chair (with rusty metal brackets)\nChinese carved stone pillars or railings\nStacked books (multiple colorful cover books)\nPaper boxes, pastries, and other literary props\n\nBackground Elements:\n\nGolden yellow autumn leaves background (sycamore, ginkgo, etc.)\nBlurred treatment to create dreamy depth of field\nWarm-toned autumn sunlight filtering through the leaves\n\nDynamic Elements:\n\nBreeze blowing hair strands (some strands slightly lifted)\nFalling autumn leaves (optional)\n\nComposition Method:\n\nMain Composition: Subject centered or slightly off-center, the person is the absolute core\nShot Selection:\n\nMedium Shot/Full Body: To show the complete cheongsam styling and environmental atmosphere (similar to Reference Image 2)\nClose-up/Half Body: Focusing on facial expression and hand details (fusing the cinematic close-up technique of Prompt 2)\n\nPerspective: Eye-level or slightly low-angle, enhancing the person's elegance\n\nClothing Styling (fusing New Chinese Aesthetic):\nCore Clothing:\n\nMain Attire: Light apricot or beige short-sleeved cheongsam (Reference Image 2 style)\nFabric Texture:\n\nSilk or satin, with translucency and sheen\nSkirt body has Chinese bas-relief patterns or embroidery (phoenix, auspicious clouds, flowers, etc.)\nMandarin collar design, showing Oriental elegance\n\nSkirt Length: Knee-length or calf-length, convenient for showing a relaxed sitting posture\n\nAccessory Details:\n\nEarrings: Delicate Oriental style earrings (jade, pearl, metal carving, etc.)\nHands: Simple accessories like rings or bracelets can be chosen\nHair Accessories: Hairpins, hair sticks, or ribbons (if using a braided style)\n\nPosture and Interaction (fusing the literary feel of Reference Image 2):\nCore Posture:\n\nSitting: Sitting sideways on the vintage wooden long chair, body slightly leaning forward or resting\nHand Movements:\n\nOne hand holding an open book (pages half-open, fingers lightly touching the page)\nOne hand holding a pastry or teacup (fingertips gently pinching, showing elegant gestures)\nOr hands naturally resting on the knees/book\n\nLegs: Crossed or together, showing the reserved posture of Oriental women\nHead: Slightly turned or tilted up, gazing into the distance or at the camera\n\nEmotional Expression:\n\nOverall Atmosphere: Lazy, relaxed "Autumn Reading" state\nEyes: Contemplative, relaxed, with a poetic literary feel\nBody Language: Relaxed and natural, avoiding an overly posed feeling\n\nProps and Details (enhancing narrative sense):\nCore Props:\n\nBooks:\n\nMultiple colorful cover books stacked next to the long chair\nHolding an open book (showing the moment of reading)\nBook covers can be literary/classical style\n\nPastries:\n\nLight green or warm-toned Chinese pastries (like mung bean cake, osmanthus cake)\nPlaced in a paper box or small dish\n\nTea Set (Optional):\n\nChinese teacup or teapot\nEnhancing the New Chinese lifestyle aesthetic atmosphere\n\nLighting Design (Cinematic Natural Light Application):\nMain Light Source (Autumn Natural Light):\n\nTime: Golden Hour (1-2 hours before sunset)\nLight Quality: Soft diffused light, filtering through autumn leaves\nDirection: Side light or side-back light (45-60 degrees)\nEffect:\n\nCreating soft light and shadow transitions on the person's face\nHighlighting the translucency and sheen of the cheongsam fabric\nCreating a halo (rim light effect) on the edges of the hair\n\nAuxiliary Light Source:\n\nReflector: Using a reflector on the shadow side to fill light, maintaining facial details\nEnvironmental Reflected Light: Using the golden yellow reflection of autumn leaves to create warm-toned light\n\nLight and Shadow Processing:\n\nContrast: Medium contrast, maintaining soft transitions\nColor Temperature: Warm tones (3500K-4500K), creating a warm autumn atmosphere\nBokeh: Natural light spots (bokeh) can appear in the background, enhancing the dreamy feel\n\nColor Grading Scheme (New Chinese Warm Tone System):\nOverall Tone:\n\nMain Tone: Dominated by warm colors (golden yellow, light apricot, warm brown, off-white)\nAuxiliary Colors: Low-saturation color accents (book covers, pastries)\nBackground Color: Golden yellow autumn leaves (creating a dreamy warm tone after blurring)\n\nColor Layering:\n\nCharacter Layer:\n\nSkin Tone: Natural healthy East Asian skin tone, slightly warm-toned\nClothing: Light apricot or beige cheongsam, medium saturation\nHair: Black or reddish-brown (depending on choice)\n\nProp Layer:\n\nBooks: Colorful covers (red, blue, green, etc.), reduced saturation\nPastries: Light green, off-white, and other fresh tones\n\nBackground Layer:\n\nAutumn Leaves: Golden yellow, orange yellow, warm brown gradient\nBlurred treatment, forming soft color blocks\n\nColor Coordination:\n\nContrast: Warm-toned person + golden yellow background (harmonious unity)\nAccents: Low-saturation colored props as visual points of interest\nOverall: Vintage, literary, warm autumn aesthetic\n\nTechnical Aesthetics (Hyper-realistic Cinematic Texture):\nPhotography Technique:\n\nCamera Settings:\n\nLarge aperture (f/1.4 - f/2.8) to create shallow depth of field\nMedium telephoto lens (85mm - 135mm) to compress space and highlight the subject\nModerate ISO, maintaining image purity\n\nDepth of Field Control:\n\nSubject (person) is sharp and clear\nForeground (books, etc.) is slightly blurred\nBackground (autumn leaves) is heavily blurred, forming dreamy bokeh\n\nTexture Presentation (Hyper-realistic Details):\n\nSkin Texture:\n\nVisible pores, fine lines, and skin texture details\nSkin translucency under natural light\n\nHair Texture:\n\nThe sheen and flow direction of every strand of hair\nThe dynamic feeling of being blown by the wind\n\nFabric Texture:\n\nThe silk sheen and bas-relief patterns of the cheongsam\nThe wrinkles and drape of the fabric\n\nProp Details:\n\nThe paper texture and writing on the book\nThe surface texture and sheen of the pastry\nThe texture and rust on the wooden long chair\n\nFilm Aesthetic:\n\nGrain: Medium intensity film grain (simulating 35mm film)\nColor Rendering: Warm tone rendering of Fuji or Kodak film\nContrast: Soft contrast, avoiding excessive sharpening\n\nComposition and Narrative (Cinematic Visual Language):\nScreen Composition:\n\nGolden Ratio: Person positioned at the golden ratio point of the screen\nVisual Guide Lines:\n\nLines of the long chair guide the sight to the person\nStacked books form visual layers\nAutumn leaves background create depth\n\nNegative Space Treatment: Appropriate negative space, enhancing the screen's breathability\n\nNarrative Layers:\n\nForeground: Books, props (creating spatial sense)\nMiddle Ground: Main subject (core narrative)\nBackground: Autumn environment (emotional setting)\n\nEmotional Expression:\n\nTheme: "Relaxed Time Reading in Autumn" - the poetic fusion of New Chinese aesthetic and modern literary life\nSymbols:\n\nCheongsam = Oriental elegance\nBooks = Intellect and literature\nAutumn Scenery = The gentleness of time\nPastries = The relaxed feeling of life\n\nClose-up Shot Options (Optional):\nShot 1 - Facial Close-up:\n\nFocus: Eyes and facial expression\nComposition: Tight crop above the shoulders\nDetails: Skin texture, emotional gaze, earring details\n\nShot 2 - Hand Close-up:\n\nFocus: Action of holding the book and pastry\nComposition: Hand + part of the book pages + pastry\nDetails: Elegant posture of the fingers, book page texture, pastry sheen\n\nShot 3 - Full Body/Medium Shot:\n\nFocus: Overall styling and environmental atmosphere\nComposition: Showing the full cheongsam, sitting posture, autumn background\nDetails: Cheongsam bas-relief texture, environmental props, autumn leaves blurring\n\nFinal Output Effect:\nVisual Presentation:\n\nCinematic New Chinese aesthetic autumn portrait blockbuster\nHarmonious color system dominated by warm tones\nHyper-realistic texture details (skin, fabric, props)\nDreamy atmosphere created by shallow depth of field\nSoft light and shadow created by natural light\n\nEmotional Atmosphere:\n\nLazy, relaxed autumn literary feel\nThe elegance and modernity of the New Chinese aesthetic\nPoetic "leisure reading time" narrative\nWarm, healing visual experience\n\nTechnical Standards:\n\n8K ultra-high resolution\nCinematic color grading and post-processing\nFilm texture warm tone rendering\nProfessional portrait photography lighting 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